*!POP!* Culture Report

David Montero said he feared pop culture was on the decline. I scoffed. I told him there was lots of great new hip hop--although Brian, responsible for bringing said hip hop into our home, Eeyored it and agreed with Montero and Nas that hip hop is dead.

What about Game's "Olde English," the most heart-wrenchingly beautiful song ever? (No, ever. It's not up for debate.) And that Timbaland beat for "The Way I Are" is so awesome that yesterday I played it on my pretend iPod in my head for 35 minutes on the elliptical. (I ain't got no Visa/I ain't got no Red American Express. I burned like a whole muffin's worth of calories!) Even the unbearable ego of Kanye West has managed to turn out two hot new tracks, I told Montero with irrepressible optimism. He's been in Pakistan, so he wasn't up on all this.

He moped on, But what about rock and tv and...Well, said I, what about that Killers song that goes, I don't shine if you don't shine and Sarah Silverman and Stephen Colbert with their own shows? Maybe it's just the first time I've descended from my mountain lair of intellectual superiority to pay attention, but this moment in pop culture seems just great to me. Fandamntastic. Seriously, do you watch Best Week Ever?

Of course I was positioning myself rather dangerously.

The very next day there was this adorable call-and-response on Wild 94.9:

Baby where'd you get your body from
Tell me where'd you get your body from
Baby where'd you get your body from
Tell me where'd you get your body fromI got it from my mama
I got it from my mama
I got it from my mama

At first I couldn't imagine who was responsible for this schlock. I should have put it together immediately that only will.i.am.shameless could make such a horrible, horrible song with a super catchy beat and only Fergie could lower herself enough to sing, All of this stuff right here/I got all this from my mama. As if family shit isn't crazy enough, now we have to bring in this creepy sexiness inheritance idea.

It didn't get better when I heard the new Justin Timberlake/50 Cent song, which sounded like a good idea at first. This track had "matchmaker" written all over it. By which I mean not that it sounded like it should have been on the "Fiddler on the Roof" soundtrack, but that it sounded like a pairing strategically designed by a focus group for audience maximization rather than an organic creative collaboration. I can just imagine some Yenta at the studio thinking, Fitty needs to reach more middle American white kids and Justin needs better hip hop cred...
Oh well.

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